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Poggio di Sopra

Climbing up the small road that leaves the small hamlet above St. Antimo, you find yourself on a cypress lined lane just before reaching the top of the hill. Here stands the villa, looking out over rows of vineyards and hill crests marked with orderly trees and dotted with the occasional castle or farmhouse.

The hillside slopes, dotted with olive trees and traced by rows of vineyards, resemble a nubby green coverlet thrown over an antique bed.

The Poggio di Sopra complex is located on a superb vantage point, peering out over two valleys; in one of these we are offered a bird's eye view of the Abazzia di St. Antimo, in the other we see the Orcia river.

And the breathtaking sights do not end there, for rising up, right in front of us to the south-east, lies the tall Tuscan landmark of Mt. Amiata, providing the most compelling view.
In fact, the independent entrances to the two apartments, the terraced porch and swimming pool are all situated on the southwest side of the structure facing Mt. Amiata and overlooking the Orcia valley.
Other outside areas offer a pizza oven and covered porch with large dining table perched on the edge of a slope with a spectacular view of St. Antimo.

White roses cover the western wall of the main structure while right in front of them grow, haphazardly, bushes of the classical herb quartet of parsley, sage, rosemary and thyme, interspersed by patches of geraniums; where these end an olive grove begins.
Testimonials
Comments of some of our guests

• Here, hovering just above the crest of the hill, with Mt. Amiata looking on and St. Antimo nestled in the shadowed valley below, the moon and sun greet each other briefly as they change shifts. The lunar sphere is just above my left shoulder and the vineyards, while the blazing orange sun is more level with my right elbow and sinking fast among the olive trees. Never before have I witnessed the chance meeting of these two characters, the moon smiling down on the golden leaves of the grape vines left even more gilded by the level rays of the setting sun.

• Moon at my back, I watch the sunset bleed its colors across a valley of multi-layered hill crests. The incandescent orb paints the outer limits of the sky a champagne-pink, while closer profiles of the landscape lie still in a dark opaque green which, as the eye wanders off again towards the somehow feminine folds of the distant valley, becomes a shadowy bruised-blue.

• I cup my hands together to spy the heart of the panoramic prism through an improvised telescope. Am I gazing far off into atmospheric alchemy or peering into the eye of a peacock plume?

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